Name: Bawarchi (Cook)
Director: Hrishikesh Mukherjee
Did I watch this recently? No
Bawarchi tells the story of a dysfunctional and bickering family – the Sharma family. The Sharma family also cannot seem to keep a cook because of the verbal abuse the cooks have to endure while working for them. Soon no one wants to work for the family. Then a young man called Raghu (Rajesh Khanna) comes to work for the Sharmas.
Soon Raghu works to keep peace in the house, he can sing, dance and use his words of wisdom to resolve the families issues.
Have you been watching a lot of 60s and 70s film? Bored of the same old boy meets girl storyline?
Then here is a movie that maybe for you!
Hrishikesh Mukherjee brings this adorabe film to the indian audiences to teach about family dysfunction and the virtues of patience and love all thanks to the words of wisdow of the family’s cook – Rajesh Khanna (or Raghu).
Bawarchi isn’t the wham bam action flicks of the 70s, nor is it the adorable boy meets girl flicks of the 60s. It instead finds its nieche in Bollywood as a non-romantic film that deals with the structure of families and hopes to teach us a little something about how to get along with our siblings and family members. As someone who comes from a family of 7 i guess i can relate highly to this kind of story, the dysfunction that the Sharma family is, i feel like too aswell. So i guess despite the lack of violence and romance i still was able to see this sweet film as something worth watching. Especially considering the film is under 2 hours long! I love that they didn’t try to extend it out with more and more songs and dances to fill in the normal 2.5 hour mould. But thats not to say the film isn’t without song and dances thanks to the very young Jaya Bhaduri (or to be later known as Jaya Bachchan).
For anyone who has seen the film ‘Pay it forward’ this film has a similar premise it tries to teach the audience, do one good deed and pass it on. Its idealistic sure, but sweet and definetly appliable to everyones life. Ever fight with your family? Then take home some of the points illustrated in this movie.
Rajesh does an endearing job as the house cook, teaching philosophy and most of all the family to love and cooperate. Its also one of his better films in the 70s and many see it as one of his best films.
Jaya performs naturally rarely going over board, she plays the family cinderella without being overly melodramatic or victimised. I guess thats why she is a perfect fit with many of Hrishikesh’s films (see Abhimaan and Mili).
The biggest threat to this movie is being able to keep the viewer interested all this time. There is not a great amount of plot development and is mostly character development based, which can hold some peoples interest and bore others. At times i was frailing a bit to keep interested, but overall definetly worth the watch and to hopefully teach you some lessons to apply to your family. I think i thought of the lessons for a good day before giving up and going back to yelling at my family – but still, that was a peaceful 24 hours!
Overall Score: 3.5/5 Hairy Anil Kapoors – Overall not the usual masala or romance film but instead is an adorable look at overcoming family dysfunction will teach any family member the importance of patience and kindness in a family. Idealistic? Sure, but still a nice lesson to learn for real life. Its under 2 hours and has Rajesh Khanna and Jaya Bachchan at their best, so your not losing much even if you end up feeling sickly sweet after the film.
Name: Life in a…Metro
Director: Anurag Basu
Did I watch this recently? Yes
Synopsis: 8 people living within Mumbai, all connected. Rahul (Sharman Joshi) is working as a call centre He silently loves his boss, Neha (Kangna Ranaut). A smart young woman who has made it up the ranks in a very short time. And hard work is not her only secret but her affair with her boss, Ranjeet (Kay Kay Menon). Ranjeet is married to Shikha (Shilpa Shetty). They decided Shikha she should stay back at home and take care of the house and the kid. So Ranjeet ventured out on his quest for money and success� and forgot his family somewhere on the way.
Neglected by an indifferent husband and bogged down by family chores, Shikha is soon attracted to a maverick in Akash (Shiney Ahuja). Akash is a struggling theatre artist and Akash and Shikha’s love blossoms. Shikha’s sister and Neha’s room-mate, Shruti (Konkona Sen Sharma) works in at Radio Mirchi. In her 30s and still a virgin, shes desperate to get married. She is dreamy eyed about her RJ, Wishy K. Her boss hooks her up with Wishy K. While she also meets Debu (Irfan Khan) through a matrimonial site. Hates him. But Debu, an ordinary man, is ready to marry her. Her affair with Wishy K blossoms. Amol (Dharmendra) is a 70 year old man who’s returned to India after 40 years to spend last few years of his life with his first love, Vaijanti. This a movie which looks at 8 peoples life, in a metro.
I was really looking forward to seeing Life in a metro. Over the last year quite a few people have mentioned it as one of their favourite movies of 2007. For me it seemed original, contemporary and to be full of great performances by many stars i really love. In many ways I got my wish. It was very contemporary, I realised that in the first 10 minutes when i heard mentions of sex and the Mumbai city settings. I also got to watch some great performances and memorable scenes especially thanks to Konkona Sen Sharma, Irfan Khan, Kay Kay Menon and surprisingly Shilpa Shetty. In fact I could not say enough how much I loved Konkona and Irfan in this movie. Their scenes and characters were fantastic! Even the pop-rock music nicely flowed between the scenes of the city.
So where did it go wrong?
Sadly despite the movies merits, my love for this film gets bogged down by the fact it has a significant portion of the film copied directly from a previous film. Only two weeks ago I borrowed out a Hollywood classic called “The Apartment” (1960) with Jack Lemmon and Shirley MacLaine. When i started to watch Life In a Metro i was very upset to discover that the Kay Kay Menon, Shilpa Shetty, Sharman Joshi and Kangna Ranaut stories were all ripped off from Apartment. When I say ‘ripped off’, I don’t mean “inspired by”. As having seen the Apartment only a few weeks before I can say that Life In A Metro ripped off almost completely the storyline and dialogue. Even some of the jokes were taken directly from the Apartment but Sharman Joshi is no Jack Lemmon. The only difference is they focused on the wife side of the marriage (Shilpa Shetty’s character). In the Apartment there was no focus on the Boss’s wife, but other then that the differences between the Apartment and Life in a Metro stop there.
*Sigh*…I really wished to get passed the fact it was a remake, but it was just so directly copied that i felt i was watching an inferior copy of the film. Not only that someone has also informed me that some of the music was copied. Which is no surprise considering its Pritam, but still it just aided in my disappointment finding out that the film was not as original as i hoped it would be. But luckily I haven’t heard the original music so I wasn’t so annoyed by knowing the music was copied. Also people have said one of the scenes was copied from “For Love or Money” but luckily I haven’t seen that film either.
But the film is not without merit, it was still overall a nice timepass thanks to the subplots and strong performances.
Leaving the unoriginality of some of the movie behind, it has several points that make this movie a nice timepass. For me the Konkona Sen Sharma and Irfan Khan storyline was the highlight of the movie for me. Debu (Irfan Khan) is 35, has been looking for a wife for a long time and is a bit wierd. Shruti (Konkona Sen Sharma) is 30 and desperate to get married. Although she meets Debu, she doesn’t like him – instead she dreams of an ideal man such as her boss is Wishy K.
For me Konkona and Irfan have an abnormal pairing which is why I think I liked it. Their storyline was different, humourous and I think also teaches a good lesson to us girls (that sometimes the right man for us is the ordinary man before us, not the dream guy as they don’t realistically exist). Their characters are so real and its just hard not to fall in love with Debu and Shruti.
There are several strong scenes between Kay Kay Menon and Shilpa Shetty that make me want to take back whatever bad things I have said about Shilpa in the past. Some of their scenes are the most believable and intense of the film and Anurag does a superb job extracting these performances from them. I also have to applaud Anurag Basu for being able to direct all the film’s stories together. Often with these multiple storyline movies that can fall flat due to the assembly of the stories together – either feeling rushed or too choppy. I didn’t feel any of the stories felt rushed, they just seemed to interlink and relate to each other with ease which i’m sure takes some effort. Also the technical elements of Life in a metro such as the cinematography is A-Class.
For me the weaker performances in this film were Shiney, Kangna and Sharman Joshi. I enjoyed Kangna Ranaut and Shiney Ahuja in Gangster but here i felt they were just bland. Also I’m yet to see Kangna where she doesn’t play someone mentally unstable, its starting to get boring seeing her play the same character all the time.
Overall Score: 3/5 Hairy Anil Kapoors – Overall Life in a Metro is a nice timepass. I loved watching the Irfan Khan and Konkona Sen Sharma storyline and also Kay Kay Menon and Shilpa Shetty put in some solid intense performance. Basu excels in the technical aspects of the film and manages to nicely balance all the storylines (which is a huge achievement). Problem for me and the movie lies in a significant portion of the film being directly copied from “The Apartment” and some of the bland performances by Kangna and Shiney. Basu also tries to hard to create some high drama, which doesn’t always pay off for him. But at 2 hours its a pretty good timepass to watch for some engaging subplots, pop-rocking music and some intense scenes.
So sorry that i haven’t posted a review in a while. I’ve been very busy and haven’t even had time to spend on my beloved Bollywood. I really have so many more things planned for this site, if only there was more time in the day!
But i promise to have a whole bunch of new review posted up in the next couple of weeks.
Just a side note to everyone who posts on their beloved stars. I appreciate you spreading your thoughts and love for your favourite stars, but please do not post your personal details. I know you love your favourite stars but there is a very fat chance of any self respecting star visiting my blog so chances of your details being picked up by the actor are very slim, chances of them being taken by wierdos and spammers is very high. I have already had one incident where a fellow poster had trouble after posting their personal details so please do not do it!
Also please don’t post your loving comments like this…’iiiiii lllllooooooovvvvvvveeeee yyyyyoooooouuuuuuu’. It doesn’t serve much purpose other then annoying me and i will probably start just deleting all redundant letters so it forms a coherent word.
Thanks to everyone for your comments and i’ll have review for Life in a Metro and other oldies coming soon!
Name: Hum Dil De Chuke Sanam (Straight from the heart)
Director: Sanjay Leela Bhansali
Did I watch this recently? Yes
Please be mindful of spoilers. So if you really don’t want to be spoiled about the film, just skip to the end overall score
Hum Dil De Chuke Sanam (straight from the heart) is a movie which resembles Bollywood closest to its purest form. I say purest form in the way that Bollywood is known for, in terms of colour, dancing, songs, heightened emotions, extravagant costumes and jewellery, 3 hour long films, parent drama, love triangles, manly heroes and pretty heroines. It is Sanjay Leela Bhansali at his best and it was this movie that set the standard for his future magnum opus Devdas.
Hum Dil De Chuke Sanam is the story of Nandini (played by Aishwarya Rai). Nadini is a fiercely independent and beloved only daughter of a famous folk singer. One day a half-indian boy called Sameer (Salman Khan) comes from Italy to their house in Rajasthan to learn singing off her father. Sameer is joyful, fun, romantic, good looking and soon Nandini and Sameer fall in love. But little do they know while they keep their love secret, Nadini’s parents have already arranged her marriage to a quiet and dark man named Vanraj (Ajay Devgan) who falls for Nadini during one of her dancing performances. Sameer is soon banished from the house and leaves for Europe where he hopes one day Nadini will follow him. Vanraj and Nadini marry but she is so depressed during their marriage that Vanraj takes Nadini to Italy to reunite her with her past lover Sameer. Soon Nadini must choose between her youthful lover and her dutiful husband.
I’m writing this review after seeing Hum Dil De Chuke Sanam for the third time. Twice, a couple of years ago, and now this time. I am STILL conflicted who i think she should have chosen in the end or which long guy i like best. The two relationships are very different. In fact they probably juxtapose each other as they both are almost opposite. Sameer (Salman) is joyful, fun, the life of the party, good looking, great singer – everything one could want in a lover. But Nandini (Aishwarya) and Sameer (Salman) relationship is filled with immaturity. After she accidently slaps him she apologises and apoligises but he stamps off to his room and locks himself in it like a little boy. But their relationship is full of energy, chemistrty and fun. While Vanraj (Ajay) and Nandini has a more mature relationship. Vanraj is dark coloured (and not the best looking), a bad singer, quiet but something he has in common with Sameer is he is a very nice man. When Vanraj finds out that Nandini has another lover he doesn’t get in a huff and lock himself in a room, he deals with the problem head on and makes a decision. Their relationship is alot less joyful and eventful but they still appreciate each other on a more mature and developed level then the gayity and fun of Sameer. She would probably find joy and love in conversations with Vanraj, seeing how he acts rather then how much fun she can have with him.
Either way because they are both so nice (no clear bad guy) it makes me conflicted. I like how Sameer seems like alot of fun and Vanraj seems boring. In fact first time i saw it i cried my eyes out cause of the ending. But this is probably my youthful outlook on it. I originally didn’t like Vanraj at all but the couple of years since i last saw this film i’ve been swaying more toward Vanraj and finding Sameer’s youthfulness more exhausting and annoying.
But now looking back at the two relationships i think Vanraj gets it right when he tells Nandini “you don’t know what love is”. Was what Nadini and Sameer had infatuation or love? I still don’t know. I think that both relationships are love, but are different types of love. Which is the right love – the arranged and mature or the joyful and youthful? I’m sure there is cases in the world where both have worked very well for couples. I guess its up to the individual viewer which they prefer.
Nadini’s end choice between Vanraj and Sameer some see as a message of choosing between between youthful infatuated love or her duty as wife. In some ways the film supports the duty vs love theory when Nandini says to Sameer that she must go back to her husband to fulfil her duty. In this way she is giving her reasoning of choosing Vanraj as a sense of duty rather then love for her husband. But i believe her choice is more then a sense of duty and i don’t believe it when people simply say that it was just duty vs love. I think its more then just a choice between society obligations vs writing her own destiny. I believe its more a choice between her 1st love vs 2nd love then duty vs love. She loves both Sameer and Vanraj in very different ways and is conflicted who to chose. But it can be easily seen by the end she definitely has love for Vanraj that moves beyond purely dutiful love. Its like choosing between your first love and second love – which was real love? Its impossible to be able to say which one was real, but it can be clearly seen by the end that Nandini has made the decision of Vanraj based on her duties as a wife and falling in love for a second time. But people are more then free to disagree with me.
Even though Sameer and Nandini had a more immature love, it certainly shared a lot better chemistry then Nadini and Vanraj. You cannot escape how good the chemistry is between Aishwarya Rai and Salman Khan. Is it a result of their real life love life? The 1st half you get through because their chemistry is so believable you can’t help but cry in the end of the first half and second half for Sameer and Nandini. Although when Nandini and Vanraj are on the train together and have to snuggle to get past the ticket collector – that too is pretty steamy.
In terms of acting Aishwarya manages to have moments of acting talent in many of the scenes most of them include her post marriage scenes where her character shows maturity and depth. The ones that springs to mind is her first married night, the Tadap Tadap song, some of the later scenes when they are trying to find Sameer etc. In fact its mostly only the really emotional scenes where she screams her head off (when Sameer is leaving and just after flying the kites) that she really hurt my ears and where i cringe at the loudness of the acting. But i think she shows greater maturity in her acting (then her previous movies of that time being Aur Pyaar Ho Gaya & Jeans) when she has to demonstrate a subtle emotional scene. I think its when she has to go big with her acting is when she gets in trouble.
I think out of Ajay Devgan, Salman Khan and Aishwarya Rai, that Ajay had the best performance amongst them. He could be venerable and lovable to his wife, he could play hurt and angry. The character of Vanraj could have easily looked like a simple fool but Ajay manages to combine the venerability of Vanraj but also insert strength and dignity in the character where he doesn’t look like a total idiot for what he does. I must admit i have to give Vanraj respect for resisting the urge to slap Nadini during the beginning stages of their marriage and search for Sameer. She never showed any appreciation for what Vanraj was doing for her and really was only acting like a spoilt little girl. But luckily as they start to spend more and more time together her character really matures and becomes much nicer to Vanraj. I’m glad they did that so as to redeem her character for the audience.
Very special mention has to be made towards the music and choreography of this film. From the sultry ‘Ankhon Ki Gustakhiyan‘, to the devastating ‘Tadap Tadap‘ (i encourage non-hindi speakers to get the song with subtitles), to the flamboyant dance number that showcases Aishwarya’s dancing talents ‘Nimbooda‘, the romantic duet ‘Chand Chupa Badal Mein‘ and lastly the other great dance number with Salman and Aishwarya which just makes you want to get up and dance ‘Dholi Taro Dhol Baaje‘. The music is literally up there in my top 10 favourite albums of all time and the choreography, costumes and picturisation does not let it down. All the songs, sets, costumes etc are done to grand opulence in a Sanjay Leela Bhansali film and it was Hum Dil De Chuke Sanam that set this future standard.
Editing could be much tighter. The first 1 hour is extremely drawn out with not alot happening in them other then showing the family fun moments. The one song i would cut would be the kite song, it added nothing to the movies but an extra 6 minutes.
Amongst all the drama though there were some light comedy moments. Zohra Seghal provided alot of the humour for me as the loveable grandmother. Other funny bits included when Nandini thought she could get pregnant by a kiss, Sameer always annoying her and Vanraj trying to do uncoordinated hungarian dancing (sorry italian dancing).
This is not a perfect movie – by a long shot. The theme is not anything new and the movie has many imperfections and problems with it. But in the Sanjay Leela Bhansali presentation i get so caught up in the drama and beauty of this film that I forget a large amount of things that might annoy me as the movie progresses.
Overall Score: 4/5 Hairy Anil Kapoors – Overall Hum Dil De Chuke Sanam is classic purest Bollywood. It has the drama, heightened emotions, grand costumes, dancing and one of the best musical albums. It even has a love triangle where three watches later i’m still trying to figure who i want her with. But of course with this type of movie the over the top experience may give many a headache, especially at times the characters of Sameer and Nandini. Another big boo boo for the movie is the fact their ‘Italy’ looks nothing like Italy but was in fact shot in Hungary. But hopefully despite its many flaws, you will walk away from this film with a couple of used tissues and a sense of grandeur and emotion about the film.
Name: Hum Dono (Both of Us)
Starring: Dev Anand, Sadhana Shivdasani & Nanda
Did I watch this recently? Yes
Synopsis:Mahesh Anand is in love with a rich girl named Mita. After asking Mita’s father for her hand in marriage, Mita’s father reminds Mahesh how poor he is and unable to support his daughter with no job or ambition. So without informing Mita and leaving his ailing mother, Anand joins up in the fighting in WWII. There he meets Major Verma who is from a well-off family and both look-alike. When Major Verma is missing, believed dead during a war, Mahesh is asked to convey this news to his family. Upon arrival, he is mistaken for Major Verma. He meets with Verma’s mom, Mrs. Verma, as well as his ailing wife, Ruma. Unable to break the news of Verma’s death and shatter their fragile world, Mahesh gets mistaken as Verma and is welcomed home. This creates complications in Mahesh’s life as his sweetheart, Mita, thinks that Mahesh no longer loves her. Mahesh has trouble deciding what he shoud do.
Hum Dono is the 1961 attempt by Dev Anand at a dual role. Although there will be many more golden oldie experts who can adequetely compare Dev Anand’s dual role performance, i have not seen alot of the great dual role movies to compare. But in isolation without comparison i think this is one of Dev Anands better films. I found the movie moving and engaging due to the screenplay and most of all the performances. I very rarely felt the actors over did the acting which is rare for the golden oldies. The movie had a more relaxed pacing and tone then a lot of the more dramatic films (more 70s era) where everyone screams their lines and every dramatic scene has the thunderbolts and drawn out close ups. It was nice to see this more nostalgic and relaxing movie where not every drama was played out so grandly.
Despite the fact i got caught up with the characters and liked the movie, the story itself was the biggest downfall in that it was utterly predictable. If it wasn’t for the scenes and characters being so engaging, then i probably would have been very bored by the predictable story. Even the occasional comedy of the lookalikes was so cliched that it didn’t bring any laughs. One thing that i was glad of was they didn’t draw out the drama involving the mistaken husband identity. I almost expected that to be played out for 3/4 of the film but luckily was only reduced to 45 minutes so then the ‘will he, won’t he tell the truth’ scenes were a bare minimum. So something i must commend about the film was the pacing in the second half was good, only the first half was dragging but i’ve almost come to expect that off all bollywood movies. If anything important actually happens in the first 45 minutes of the early bollywood films i almost die of shock.
Something that extremely adds to the relaxed yet emotionally moving tone of the film was the music. Never did i feel like the songs were just there for the sake of having more songs. Each song spoke about the characters feelings and interactions. Not just the normal comparing the girl to a flower, season or moon but something with a little more depth. “Abhi Na Jao Chhod Kar” is my personal favourite. It is a duet with Mohammad Rafi & Asha Bhosle. Its light and melodic, but sad once you know whats about to happen. Also “Allah Tero Naam, Ishwar Tero Naam”, a devotional song that is aided emotionally by the concurrent scenes in the movie. Its beautifully moving when you watch it in the film and is supposedly still quite often sung by Lata in her concerts and one she herself is very proud of to this day after the thousands of songs she has sung. Prabhu Tero Naam is another song that adds the emotions of the character through song.
Now for the acting – I’m not much of a fan of Dev Anand. He seems a bit of a sleeze nowadays, but watching his B&W films House No.44 and now Hum Dono i must say he is absoutely fine in his 50s-60s film. While for Hum Dono despite the predictable storyline, i really think he did a good job as both characters in his dual role. I’m not in a position yet to judge him based on other dual performances (such as Hema Malini in Sita aur Gita or Amitabh Bachchan in Don) but from what i saw i think he was able to distinguish his acting between both and you can fall for both characters predicaments.
But despite the fact Dev Anand was definitely the star of this film, i have found a new favourite actress of sorts. After watching Sahib Bibi Aur Ghulam there was something alluring about Waheeda Rehman that made me want to rush out and get all her other good films. The same thing i have felt about Sadhana Shivdasani after seeing Hum Dono. She plays ‘Mita’, the rich girlfriend of Mahesh who gives up all her riches to look after his mother while Mahesh is at war. Sadhana has beauty, charisma and presence on the film reminds me of Waheeda (although i must say Waheeda still beats her if there was a competition). She reminds me of Audrey Hepburn in Roman Holiday, well of course the indian version. But in terms of the looks, class and elegance i would call Sadhana and Audrey very similar. I didn’t expect to be so taken back by Sadhana, considering her character doesn’t get a whole lot to do. Its my own opinion that Dev Anand’s character Mahesh does not treat her all that well in the film. She always seems to always come second on his priority list, despite the fact he says he loves her. But this love is rarely shown, which is a bit of a disappointment to me. But anyway i’m looking forward to seeing Sadhana eventually in ‘Woh Kaun Thi’ (1964) where she has a much bigger role and gets to sing ‘Lag Jaa Gale’ one of my favourite classic songs.
Although i prefer the love story between the husband and wife, Major Verma (Dev Anand) & Ruma (Nanda) there were some especially cute scenes. But i think Nanda performance has the personality of a wet mop in this film. Although i like the husband and wife scenes i feel she did very little to add to them. I know she is supposed to be the ailing devotional wife. I love how Major Verma is quite devotional to his wife (and of course vice versa) but i think in the emotional scenes or just the normal husband-wife discussion scenes she is missing something. be really emotional scenes but Nanda does not give back enough in the scenes. Its hard to explain what i found lacking in her performance, but she just does not give back enough in the scenes. Maybe i’m just badly comparing her to Sadhana, but even in the crying and whimpering scenes Sadhana wasn’t as boring as Nanda. I don’t know i just wasn’t feeling Nanda’s performance overall.
Overall Score: 3.5/5 Hairy Anil Kapoors – Overall it might not be an all time favourite because the movie is far too cliched and predictable to be special, but it was beautiful to watch it once thanks to the relaxing drama tone of the film, performance of the actors and music that only helps to add to the emotions of the scenes and characters.
I love the cheap budget scenes for the WWII shots of Dev Anand. They took stock footage of WWII and inserted a face over with Dev Anand – a very funny cheap budget trick!
Name: Zohra Sehgal (Birth name: Sahibzadi Zohra Begum Mumtaz-ullah Khan)
Birthday: 27th April 1912
Sibling(s): 7 brothers & sisters
Parents: Land-owning family of Rohilla Pathans
Claim to Fame: Her english roles like Doctor Who, Bend it like Beckham, The Bill & Partition. Famous for her Bollywood Grandmother roles in ‘Dil Se’ (1998) & Hum Dil De Chuke Sanam (1999)
First Movie Success: Dil Se (1998)
Movies to Transform the Career: Dil Se, Hum Dil De Chuke Sanam, Kabhi Khushi Khabhie Gham, Bend it like Beckham, Chalo Ishq Ladaaye, Kal Ho Naa Ho, Veer Zaara, Chicken Tikka Masala, Mistress of Spices, Cheeni Kum & Saawariya.
Family Connections: None.
Name: Rekha (Birth name: Bhanurekha Ganesan)
Birthday: 10th October 1954
Sibling(s): 7 Sisters – 1 is Dr Kamala Selvaraj & 1 is Radha and 1 Brother
Past Boyfriends: Amitabh Bachchan (Alleged long term affair) & Bollywood Actor Vinod Mehra
Parents: Father – Gemini Ganesan & Mother – Pushpavalli (Parents never married)
Claim to Fame: “Umrao Jaan”
First Movie Success: Sawan Bhadon (1970)
Movies to Transform the Career: Sawan Bhadon, Elaan, Khoon Khoon, Keemat, Namak Haraam, Do Anjaane, Ghar, Kabeela, Alaap, Khoon Pasina, Muqaddar Ka Sikandar, Silsila, Khubsoorat, Judaai, Umrao Jaan, Kalyug, Baseraa, Suhaag, Mr Natwarlal, Ek Hi Bhool, Utsav, Ijaazat, Karma Sutra, Khiladiyon Ki Khiladi, Lajja, Zubeidaa, Koi Mil Gaya, Parineeta & Krrish.
Family Connections: Father was popular Tamil actor, Gemini, while her mom was a popular Telugu actress, Pushpavalli. She is the maternal aunt of aspiring Bollywood actor Naveed, son of her sister Radha, who she has taken under her wing as he prepares for his debut in Hindi Films.