Barsaat Ki Raat (1960)

November 19, 2007 at 10:26 pm 2 comments

Name: Barsaat Ki Raat (Rainy Night)

Starring: Madhubala & Bharat Bhushan

Director: P.L Santoshi

Language: Hindi

Did I watch this recently? Yes

Synopsis:

Up and coming Poet, Aman (Bharat Bhushan), soon moves to Hyderabad to pursue a radio poet/singing living. One rainy night, he has a chance encounter with a girl (Madhubala) and becomes immediately infatuated (as does she) but she runs off into the night without any indication of who either of them were. The girl, Shabnam, happens to be a fan of Aman’s poetry which she keeps on her bedside table. When he sings a ghazal about his rainy night encounter, she hears it and realises, as the poem unfolds, that the attraction was indeed mutual and that he is her adored poet. However there love must overcome the boundaries of family opposition in the form of Shabnam’s dad.

Review:

Barsaat Ki Raat’s strength lies in its beautiful poignant performances, strong characters and Madhubala. I really really wanted to love this film more, but unfortunately i loved the parts more then the whole. This is mostly due to the fact i found the story very tedious and predictable. Unfortunately loving bollywood for this long, i’ve seen too many family opposition stories to still be enthralled by them. Especially this one where no clear explanation is offered why the father does not like Aman. Was it because he went behind his back to woo Shabnam? Was it because Aman is a poor poet? It’s never really explained hence why i couldn’t figure out why there was a big drama for 2 hours over nothing.

But despite the fact the story was weak, the dialogues, songs, cinematography, acting and characters were all clear favourites for me. The dialogue was superb i think it just flowed off the tongues of its actors. While the songs and cinematography help set the mood and tones for the film – a subdued just poignantly beautiful setting. The title song ‘Barsaat Ki Raat’ had beautiful lyrics and a voice to match the tone of the mysterious night. Qawwali songs at the end definetely needed a chop down but i liked that side story nonetheless, was a nice break from the back and forth romance.

Madhubala for me was once again a clear favourite. She has her charisma and style back, once again in a role i enjoy her in. Although still can’t beat her more light hearted roles i enjoy most with her. She captures the strength, fear and innocence of her character. Also she was just one of the many strong female characters in the film from Shabnam to Shabnam’s little sister to Sharma. Even Shabnam’s mum had more guts and strength then a lot of the previous female characters i’ve seen from this error. On a side note i think Barsaat Ki Raat like Chaudhavin Ka Chand offers some of the rare positive and strong roles for Muslim’s within early bollywood. Especially in regards to the female muslim roles.

It’s also my first time seeing Bharat Bhushan in a role, it was also funny after just seeing Bheja Fry where they mention the name i had no idea who it was. So seeing this i suddenly realise some of the Bheja Fry jokes and references. I must say overall i like him. Bhushan for me is a lot like Ajay Devgan – not just in terms of their uncanny likeness.

Another trend i loved in this movie, other then the strong characters, was the fact the performances were melodramatically overdone like alot of these classic movies can be. I think the 70s more specialise in over the top melodrama, but this film at least had Madhubala and Bharat matching the subtle tone of the movie. I would like to know if they have any other movies together because i found their chemistry very natural together.

Overall Score: 3/5 – I would love to give this film a higher score. It had so much going for it, beautiful songs, cinematography, strong performances and some truly touching moments. However the parts can’t make up for the whole and i felt like i wanted more from the story after it had finished. Seeing too many of these previous family object the love storylines is probably the main problem for me so therefore is given just a timepass rating for me. But its a beautiful movie nonetheless.

Entry filed under: 3 Star Movies, Excel God Reviews, Movie Reviews. Tags: , , .

Om Shanti Om – Filmi References Akshay Kumar – Family, Fame & Facts

2 Comments Add your own

  • 1. Rishi  |  November 20, 2007 at 5:49 am

    Nice review. I really loved the music from this film, and it is quite famous for its qawwalis. I actually liked the simplicity of the story, and I found it better than Chaudhavin ka Chand because, as you wrote, it has strong female characters unlike the latter where females were portrayed more like possessions. Bharat Bhushan was not a good actor but he was adequate in this movie. Another movie starring both Bharat Bhushan and Madhubala is Phagun(1958), which is an ok movie with Madhubala and the music being the attractions. If you want to see the most natural performance by a lead pair, get hold of Tarana(1951) which is worth watching just for performance by Dilip Kumar and Madhubala. Its available on DVD and has decent subtitles also. Keep up the good work.

  • 2. dw007  |  November 21, 2007 at 10:28 am

    Yeah the Qawwalis are really one of the best i’ve seen in old films. They are a tad long but totally enjoyable too watch.

    As for Tarana i’ve heard alot about this film and i really want to get it. So next movie order i put in i’ll be purchasing Tarana!

    Thanks for your support Rishi.

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Welcome to the Bolly Blog! The Bollywood Blog for New and Old Fans of Bollywood! This site is quite new so i'm updating profiles and reviews as i can. Check out the Excel God's Movie Reviews for random reviews on films from the 40s-now. Or there are the movie or actors index to search by. There are also profiles to help you know the facts about your favourite stars. I hope to add a news section to this blog in the upcoming year.

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